During the past year, I have been attempting to gather all available information about William Clark’s supposed Nez Perce son, variously known as Tzi-Kal-Tza, Halahtookit, Al-pa-to-kate, Daytime Smoke(r), and Son of Daytime Smoker. The name I find the most poignant, however, the name that links into my research on personal identity, is the one he is said to have called himself – Clark (Moulton, vol 7, p 241). * The idea for my project started to emerge about ten years ago, when I visited the Nez Perce Historical Museum in my hometown of Lewiston, Idaho. Among the exhibits were collections of artifacts from early white settlers, the Nez Perce tribe, and the Lewis and Clark expedition which passed through the region twice: in September 1805, on their way to the west coast; and in May 1806, on their return journey to St. Louis. As I grew up in Lewiston, I thought I knew the history of the area fairly well, but tucked into a display of beaded gauntlets and stone tools was a piece of i
Published in 1986, James Welch’s historical novel, Fools Crow, is considered to be a modern classic within the Native American literary canon. Set in the late 1860s, the novel depicts pivotal events in the history of the Blackfoot Indians, and focuses on the young protagonist, White Man’s Dog (later renamed Fools Crow), as he journeys from adolescence into manhood. The story climaxes with a retelling of the 1870 raid on a Piegan village which became known as the Marias Massacre. Below is a synopsis of the main events depicted in the novel.
A year after the acclaimed Reservation Blues , Sherman Alexie’s second novel, Indian Killer received reticent praise when it was published in 1996. It is a book which he, himself, seems both drawn to and repelled by. In a 2002 interview with Duncan Campbell, Alexie states ‘It’s the only one [of my books] I re-read. I think a book that disturbs me that much is the one I probably care the most about’ 1 . He has expressed dissatisfaction with it, artistically, describing it as a failed mystery novel and ‘pretentious’ for its literary ambitions 2 . Maya Jaggi writes that he has now distanced himself from the novel and feels ‘overwhelming disgust’ [Alexie’s words] towards the violence portrayed 3 . Apparent in Reservation Blues , his previous collection of short stories The Lone Ranger and Tonto Fistfight in Heaven , and his poetry, Alexie’s own rage rises to its peak in this novel, with an outpouring of fictional vengeance for historical crimes.
Comments